Sinergy 2

Based on A. P. Chekhov and F. G.  Lorca: 

Preview (press):  4th June 2009., Rijeka,  8.00 pm
Opening night: 5th June 2009.,  8.00 pm
28th June 2009.  PATOSoffIRANJE, Smederevo, Serbia

Concept, director, dramaturge: Zvonimir Peranić
Costume designer: Kristina Nefat
Composer: Enver Krivac, Ivan Šarar,Tomislav Ćurković
Movement director: Ivana Peranić
Make-up artist and stylist: Ksenija Nakić-Alfirević
Light designer: Dalibor Fugošić
Scenography: Maja Lakoš Hlavica, Zvonimir Peranić
Sound technician: Arexx
Technitians of scenography: Petra Kožar, Iva Santini, Koraljka Jukić
Stage manager: Hrvoje Mijočević

Performers: Tamara Debeuc, Gordana Kovačević, Bojan Novaković, Ivana Peranić, Sandra Žuvela, Jevgenij Conar, Jelena Čaušević, Ivana Janković, Vid Matić, Hrvoje Mijočević, Alma Murić, Jasmin Musulin, Anja Petaros, Petra Zaverski

Vocal interpretation:

Adela: Nina Viškanić
Amelija: Hana Dagostin
Bernarda: Lara Ritoša Roberts
Ivanka: Mirta Vranješ
Irina: Jelena Lopatić
Martirija: Maja Stepančić
Maša: Gordana Brkić
Olga: Nikolina Deranja
Poncija: Gordana Kovačević
Višnja: Ana Bogadek
Vojko: Hrvoje Tojčić

Synergy describes complementary activities whose impact is greater than the sum of individual parts. In other words, one plus one equals three. From this perspective we have approached performances Sisters and Zero - the third fractal as formations in which we were looking for the basic ‘building’ elements, their indivisible components on which the principles of deconstruction and reconstruction have been implemented.

And it is precisely Zero with its subject of a man confined within boundaries of Space and Time that we found suitable to incorporate in closed (limited) situations of Chekhov’s and Lorca’s plays. Decomposed and re-composed text in performance Sisters, has been decomposed again (this time with other elements of theatrical act: music, light, sound, costumes) and edited, but also connected with the fragments of the performanceZero - the third fractal. The aim is to re-edit the original perception of the performances in the enhanced, combined effect of the synergy, and to add to Chekhov and Lorca ideas of restraint and limitation from the performance Zero from 1994.