Romeo & Ofelija, Julija & Hamlet, ...

CRW 1961

International production
Romania - Brasil - Croatia
Based on Shakespeare:
Romeo and Opfelia, Juliet and Hamlet, ...

First performance on 19th February 2008 at 08.30pm
– Croatian National House, Strossmayerova 1, Rijeka
Repeat performance on 21th February 2008 at 08.30pm 
Repeat performance on 26th February 2008 at 09.00pm

Director, dramaturgy and concept: Zvonimir Peranić
Music: Ivan Šarar
Light design: Dalibor Fugošić
Hair style and make-up: Ksenija Nakić-Alfirević
Costumes design: Ivana Butković
Costumes maker: Tajči Čekada, Gordana Bilač
Stage manager: Hrvoje Mijočević

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Julija: Sabina Voinea, Tanja Smoje, Karin Frohlich
Ofelija: Marta Voinea, Jelena Lopatić, Nikolina Deranja
Romeo: Roberto Pereira Barbosa Junior, Branko Žak Valenta, Alen Liverić
Hamlet: Vladimir de Freitas Rosa, Aleks Đaković, Zoran Prodanović Prlja

Drugi fraktal:
Julija: Lena Markus, Tanja Smoje, Karin Frohlich
Ofelija: Ana Alimpić, Jelena Lopatić, Nikolina Deranja
Romeo: Saša Budimlija, Branko Žak Valenta, Alen Liverić
Hamlet: Bojan Novaković, Aleks Đaković, Zoran Prodanović Prlja

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Excerpts are taken from two Shakespeare's plays Romeo & Juliet and Hamlet and through their transposition and reconstruction new dramatic situations and relations between Romeo and Opfelia, Julia and Hamlet, but also Opfelia and Juliet, and Hamlet and Romeo have been created. Changed classical relations and literary incompatible characters brought together reflect nowadays society, where human relations are vividly disturbed or changed, and its  members in their attempt to go beyond the given framework.

In order not to stay only on a deconstruction of the text, fractal deconstruction of the whole theatrical act has been applied. We continue to use the principles of theory of chaos and quantum physics in the field of directing and dramaturgy.

In the first part of the performance there are four parallel actions taking place in four different settings and each spectator follows only one part of the story. The selection of spectators is random (chaotic).

We continue to use the principles of theory of chaos and quantum physics in the field of directing and dramaturgy.

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