Early productions

 RUBIKON (Rubicon)

First performance: 19^th of March 1995.

River, border and geometry are the three ‘dimensions’ of the word Rubicon. Three dimensions of mankind, three dimensions of the world. Their union (junction) puzzles us: the border between perfect order and the chaos of numerous coincidences, the line between black or white and grey, the line between the world which we can describe in words and numbers and the world where there is only silence. It is a poetical, picturesque story of human life in eleven pictures:

1. Cleansing 
2. Liberation
3. Strength
4. Duration
5. War 
6. Power
7. Deformation
8. Logic – victim
9. Warmth
10. Birth
11. Rubicon

NOVA

First performance: 18^th of December 1995

The show is based on Verdi’s opera Nabucco. Novas are ‘cataclysmic’ stars. The star on the sky is always new. It changes its shine in a period of just few days.

NULA (Zero)

First performance: 31^st of October 1996

 Nula represents a part of the process of searching. Its theme is man confined within boundaries of Space and Time. Human body and human existence are minimal prerequisites for the reality of Space and Time which leads to human body being transformed into space as its integral part. Nula is just a part of the process. One step; one attempt to stop the time. An attempt to think in ‘an other’ way.

INTERNETWORK

First performance: 19^th of April 1997

The show brings mutual (inter) complex (net) actions (work) of actors into the world of chairs and tables (the objects amongst which man spends most of his life time). Through those actions inner states of men are being materialized. Chairs and tables are transformed into a  bridge between the individuals, into a transmitter of comprehensions. Artificial (inanimate) way of transmitting information (internet) destroys the subtlety and warmth of communication providing at the same time enormous quantity of data daily. Communication being stretched between two extremes, creates a lot of fear: fear of not belonging, fear of losing the race, fear of disappearing, fear of not understanding, fear of alienation…

D E-Motion(s)

First performance: 13^th of December 1997

What are emotions? How fragile or solid they are? Through glass installations and structures filled with water and their relation to (inner) work and motion of the actors, performance is trying to reach the hidden, dark states of being, the inner motions of the soul. It explores their passage through our awareness, how they appear, reflect, break and disappear into the world, transformed and changed. The control of the self and the understanding of different experiences of the same situation are some of the motifs explored in this context.

ASPECTS OF ALICE

First performance: April 1998

The show is inspired by Alice in Wonderland. Simplicity with its three dimensions has the forth dimension as a consequence. Key words are: aspects, visions, ways of seeing.

The choice of  music is arbitrary. Two CDs offer thirty compositions whose order of appearance is chosen randomly by a CD player and two compositions are played simultaneously throughout the show.

KATARINA NA TRAVI (Catarina on the grass)

First performance: 15^th of October 1998

The performance is based on the life of  Catarina de Medici, an Italian who became a queen and mother of three kings, cheated and unloved wife and a woman who ruled  the 16^th century French full of conspiracy, fights for position or religion, torture and persecutions of the heretics. The show is also considering different interpretations by different historians. Is history just an illusion?

NULA – drugi fractal  (Zero – the second fractal)

First performance: 7^th of March 2002

This performance is a fractal of the original one.

Nula is a part of the process of searching. Its theme is man confined within Space and Time. Human body and human existence are minimal prerequisites for the reality of Space and Time which leads to human body being transformed into space thus becoming its integral part. Nula is just a part of the process. One step. One attempt to stop the time .An attempt to think in ‘an other’ way.