Zero – the tirrd fractal

Preview 1:               2nd February 2009., Rijeka,  6.30 pm

Preview 2 (press): 2nd February 2009.,  Rijeka,  8.30 pm

Opening night 1:    3rd February 2009., Rijeka,  7.30 pm

Opening night 2:     4th February 2009., Rijeka,  7.30 pm

Repeat:           3rd April 2009., Rijeka,  8.00 pm

Repeat:           4th April 2009., Rijeka,  8.00 pm

Repeat: 27th June 2009., PATOSoffIRANJE, Smederevo, Serbija,  8.00 pm

Warning:

Audience members may find some of the scenes with particular  usage of light and sound disturbing.

Concept, director, dramaturge: 

Zvonimir Peranić

Costume designer:       Kristina Nefat

Composers:                    Ivan Šarar and Tomislav Ćurković

Movement director:     Ivana Peranić

Make-up and stylist:    Ksenija Nakić-Alfirević

Light designer:              Dalibor Fugošić

Sound technician:       Tomislav Nakić-Alfirević

Scenographer:             Maja Lakoš Hlavica

Stage manager:          Hrvoje Mijočević

Performers:                Tara Grbčić, Natali Bosić, Sandra Žuvela, Maja Dobrila,

                                 Ivana Janković, Ivana Tulić, Petra Zagorski, Jelena Čaušević,

                                 Tamara Debeuc te

                                 Jevgenij Conar, Vid Matić, Anja Petaros, Denis Salkić,

                                Alma Murić, Jasmin Musulin

Performance Zero has for its subject a man confined within boundaries of Space and Time. The structure of the performance is strictly divided into intervals which are dominated only by space and objects in space, or only by performers, or by their combination.

On the higher level we are questioning the limiting factors of our society and our environment that oppose our work and our creation which as a consequence have states of frustration and an accumulation of energy but also creative ‘eruptions’ and proactive orientation.

The performance is based on ideas and concept by Zvonimir Peranic and its first performance was in 1995. The third fractal was created with young people. The work with performers and actors is based on Meyerhold’s Biomechanics. It is a system of training which changes the actor’s perception and awareness of its own body, but also requires mental strength, focus and discipline.