Based on A. P. Chekhov and F. G.  Lorca:

Synergy2

Preview (press):  4th June 2009., Rijeka,  8.00 pm

Opening night:           5th June 2009.,  8.00 pm

28th June 2009.  PATOSoffIRANJE, Smederevo, Serbia

Concept, director, dramaturge:

Costume designer:

Composer:

Movement director:

Make-up artist and stylist:

Light designer:

Sound technician:

Scenography:

Technitians of scenography:

Stage manager:

Performers:

Vocal interpretation:

Adela:

Amelija:

Bernarda:

Ivanka:

Irina:

Martirija:

Maša:

Olga:

Poncija:

Višnja:

Vojko:

Zvonimir Peranić

Kristina Nefat

Enver Krivac, Ivan Šarar,

Tomislav Ćurković

Ivana Peranić

Ksenija Nakić-Alfirević

Dalibor Fugošić

Arexx

Maja Lakoš Hlavica,

Zvonimir Peranić

Petra Kožar, Iva Santini,

Koraljka Jukić

Hrvoje Mijočević

Tamara Debeuc

Gordana Kovačević

Bojan Novaković

Ivana Peranić

Sandra Žuvela

Jevgenij Conar

Jelena Čaušević

Ivana Janković

Vid Matić

Hrvoje Mijočević

Alma Murić

Jasmin Musulin

Anja Petaros

Petra Zaverski

Nina Viškanić

Hana Dagostin

Lara Ritoša Roberts

Mirta Vranješ

Jelena Lopatić

Maja Stepančić

Gordana Brkić

Nikolina Deranja

Gordana Kovačević

Ana Bogadek

Hrvoje Tojčić

 Synergy describes complementary activities whose impact is greater than the sum of individual parts. In other words, one plus one equals three. From this perspective we have approached performances Sisters and Zero - the third fractal as formations in which we were looking for the basic ‘building’ elements, their indivisible components on which the principles of deconstruction and reconstruction have been implemented.

And it is precisely Zero with its subject of a man confined within boundaries of Space and Time that we found suitable to incorporate in closed (limited) situations of Chekhov’s and Lorca’s plays. Decomposed and re-composed text in performance Sisters, has been decomposed again (this time with other elements of theatrical act: music, light, sound, costumes) and edited, but also connected with the fragments of the performance Zero - the third fractal. The aim is to re-edit the original perception of the performances in the enhanced, combined effect of the synergy, and to add to Chekhov and Lorca ideas of restraint and limitation from the performance Zero from 1994.